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A short mockumentary comedy with a realistic, documentary-style aesthetic. The film employs the texture of handheld camerawork, featuring slight camera shake, natural focus, and occasional scenes where the focus shifts and then refocuses. The style draws inspiration from classic mockumentary comedies—awkward pauses, confused expressions directed at the camera, and interview-style monologues. The setting is the interior of a realistic-looking near-future manned spacecraft, featuring narrow white cabin walls, floating cables, flickering instrument panels, and a microgravity environment. The color palette is cool white with a blue tint, evoking the natural lighting of a space documentary. The characters are three astronauts wearing gray-blue one-piece flight suits. The suits bear no logos from real organizations, only fictional orange shoulder patches. The protagonist is a white male astronaut in his forties, with short hair and an expression that is weary yet focused. 16:9. 15 seconds. [0:00–0:03] A handheld camera follows the protagonist as he drifts through the space station corridor. He turns toward the camera, his expression serious and confused, as if speaking to a documentary film crew. He stops and braces himself against the bulkhead with one hand to maintain balance. The text “Day 97” appears in white at the bottom of the frame. He takes a deep breath, presses his lips together tightly, and seems unsure how to begin. Voice-over (interview style): “So… we, um… we saw something through the porthole. And let me be clear—I’m not the type to post things online. I have a degree. Several degrees.” [0:03–0:06] The scene cuts abruptly to a frontal interview shot. The protagonist is floating in a small cabin, facing the camera, with a cluttered instrument panel and a wall covered in sticky notes behind him. It’s a classic documentary interview composition with a shallow depth of field. His expression is one of utter bewilderment, and his eyes keep darting to the left, off-screen, as if to make